The memory storred in the matter; similarities in the idelogies and differences among the two last systems on the teritory of Balkan; the idea of the borders, the nationalities, the public spaces and their forming – these are the fundamental paradigms that Amir Karahsan uses for creating his sculptures and installations. His works are objects comprised by different materials; his installations and sculptures hold emphasized associativity towards the modernistic project and its realization in architecture on these teritories. They are built according to intution. They are not modelled according to firmly existing buildings or objects; they oscillate among identities as architectural models, functional objects and primitive totems. Chat Conversation End